The Dentist

You know how people usually say, "Oh, going to the dentist doesn't actually hurt, you're just scared of the drill?". Well those people can just go screw themselves. Call me a pussy but going to the dentist really hurts. First of all the cleaning bit is just uncomfortable. Then when the drilling starts it just hurts a lot. And what's with the porno jazz music they play in the background? Apparently its supposed to be soothing, but seriously you can't even hear it when there's a drill boring into your teeth. Probably out of all the specialists, dentists are my least favourite because they involve the highest degree of pain no matter what procedure they're doing. One of the reasons I do not look forward to getting old is that the dentist visits will get progressively more complicated and painful.

That is all.

Midnight in Paris

I do not know who Gertrude Stein is. I've heard a lot about Ernest Hemingway but have never read one of his novels. Midnight in Paris requires for its full enjoyment a degree of cultural literacy which I unfortunately did not have. This is not really a failure of the film. The film is made for a cultured audience charming it with a playful parade of artistic legends and unfortunately in this process, alienates those who have no idea about the characters on the screen.

There is still much to like, however. The film tells the story of Gil (Owen Wilson), a Hollywood screenwriter who dreams of writing a serious novel. He visits Paris with his fiancee Inez (Rachel McAdams) and her wealthy parents and is enamoured with the city, walking its streets and fantasising about the great artists and writers who inhabited it in the 1920s. On his walks at midnight every night, he enters a carriage that actually transports him to the 1920s where he meets people like Ernest Hemingway, Scott Fitzgerald and Salvador Dali.

Even if you don't know these people, it's still easy to get caught up in Gil's enthusiasm. Owen Wilson creates a very likeable character whose adulation for his literary idols makes them look good on the screen. He has a charming relationship with Adriana (Marion Cotillard), mistress of Picasso and a student of fashion. However, though their relationship is enjoyable to watch, it is not enough to sustain the movie.

Which brings us back to the first point. There is a scene where Gil sits in a café with Dalí, Buñuel and Man Ray. He tries to explain to them that he is travelling in time between the 21st century and the 1920s. Dalí, without humour, explains that this is perfectly normal and he states that he often feels similarly himself. Exasperated, Gil replies 'Yes, but you're a surrealist!'. If you find that kind of thing funny, then this may be your kind of movie.

Drive

Drive makes you think you're getting one type of film and then gives you another completely different one. This is one of those films that at the end makes you realize that you just watched something great and by the end of the week you thought you watched the best movie in a long time.

I don't want to give too much away but I'll give a general outline. A man who is a stunt driver during the day and is a getaway driver at night helps his neighbour and her son when she gets involved in some deep shit. Thats really all you should know about the movie and not much else. I wouldnt reccommend you read up anything about it (apart from the Roger Ebert review which also doesnt give much away). This is however, one of the few movies I would recommend you watch the trailer for because it tells you nothing but sets up your expectations. In fact I encourage you to watch the trailer because it gives the movie much more impact.

One of the main highlights of this movie is the use of music, which perfectly matches the mood and meaning the director is trying to convey. Also effective is Ryan Gosling as the Driver. Even though he doesn't say much in the movie, he exudes cool and style and makes driving gloves seem fashionable. Whereas his character is subdued and silent, the other characters are a complete contrast. Nino, played by Ron Perlman from Hellboy, is particularly loud and rude.

I think this movie has the potential to gain a cult following in the years to come. The way it blends so many genres together and its use of retro definitely make it more timeless and I'd go so far as to say that this might be considered as a great film as time goes on. I watched this movie maybe a week ago and I can still remember how I felt watching the film and after I left the cinema. Its emotional impact stays with you.

That is all.